Thursday, 5 November 2009
Prisencolinensinainciusol
Wednesday, 28 October 2009
Have you ever sat and thought "Gee, I wonder how big an atom is in relation to coffe bean"?
Monday, 19 October 2009
By Saturn Rings

Sunday, 18 October 2009
Lots of dimensions
Watch Imagining the ten dimensions in Educational | View More Free Videos Online at Veoh.com
Wheeeeeeeeeeee!
Ahhhhhhhhhhh!
Wheeeeeeeeeeee!
Ahhhhhhhhhhh!
Saturday, 17 October 2009
Religion Explained, Volume 1
this king had about a hundred wives
and they all hated each other.
Mean
They also hated on their step-sons.
One in particular they messed up bad
He had to leave. The king was sad.
This was his favorite son
or eldest,
whatever.
His name was Rama.
I think he was a God of sorts
but not at the moment.
He wondered off into the jungle
and he met a lovely lady
called Sita.
She was a hottie.
They wondered about in the jungle
doing lots of the magical sex.
Then this demon came along
and fell in love with Sita
he stole her or insulted her or something.
But he had twelve heads,
for real.
This pissed off Rama something bad,
he was angry and chased after the demon.
The demon ran away.
Oh no.
The demon went to an island.
I don't know what the island was called,
but now its called Sri Lanka.
Lets assume he had Sita with him,
against her will.
He was still cussin' her though.
The island was very far away,
Rama was all bollocks
and turned around.
Then Hanuman, the Monkey God came along,
God of the frikkin' Monkeys.
Hanuman was good
and made all the monkeys into a bridge
which is kind of bad.
Rama crossed the bridge
with all his friends,
who he had all along,
and had a fight with all of the
demons friends.
I think this went on for years.
Thousands were killed.
Lots.
Then Rama chopped of all the demons heads.
Blood was every where
Now he could go back home,
for some reason.
He took Sita with him
and said only nice things to her.
Everyone was happy that Rama was back
they made lots of candles
loads of candles
and lamps
everywhere.
Lighting the path.
Rama and Sita were married.
It was awesome.
Monday, 12 October 2009
Typographic Logo

Saturday, 10 October 2009
Friday, 9 October 2009
Sunday, 4 October 2009
How to turn your brain inside out
Friday, 25 September 2009
Friday, 28 August 2009
Thursday, 27 August 2009
Saturday, 22 August 2009
Tuesday, 18 August 2009
A Review of 'We Are the Friction'

Friday, 31 July 2009
Saturday, 13 June 2009
FUCK YOUR EYES AND ALL THAT THEY STAND FOR
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Thursday, 11 June 2009
Hazzah!
Don’t perform oral sex on girls against the city wall like a dog
Wednesday, 10 June 2009
Chris Wormell

In the age of screen prints and photoshop wizardry I think its worth noting that most of his work is lino printed.
Monday, 18 May 2009
More or Less

Friday, 27 February 2009
I still carry a lot of this issues I had as a child
I used to watch a lot of star-trek as a kid and it pissed me off. Like any right-minded child I loved space ships and lasers, so I was naturally drawn to the science fiction series. Occasionally it would pay of with medley of destruction and jargon, but more often than not it would descend in to a boring pit of morality and philosophy.
A typical episode would feature the giant spaceship that all the characters lived on, being assailed by a powerful entity or creature(s). Then the crew or a single crewmember would have to reason with the being(s) and save the day. The aliens in question often took the form off an omnipotent gas or an omnipresent light bulb and so on.
Like an episode of sesame street the alien would learn the meaning of love or how to share, the crew would laugh and que the credits.
This pissed me off.
I wanted to watch a starship fight-a-thon. Not space-hippies in space. My imagination has always helped me deal with anger and disappointment. As the title credits rolled I would grab a large orange. If it looked like my blood lust would not be sated I would exact my revenge.
I would imagine that the orange was the Spaceship and I the god-like alien causing them grief. I would chuck the fruit in the air and let it fall to the ground, imagining the crew being shaken around inside their vessel. As I peeled away the skin, the engineer would report shield failure. Pleas of compassion would be sent my way and ignored.
When their shield completely removed I would tear off a segment and bite in half. Some one would inform the captain that the hull had been compromised and 18 people had just died.
At around this point in the show a crew-member would have a flash of inspiration and the problem would be solved. In my mind I watched them try to implement a life-saving plan (“It’s a long-shot but it might just work”) and fail. They get eaten.
I work my way around the ship until I’m left with one segment. Between thumb and forefinger I regard the last piece of the ship. Inside the only surviving crew member. If the show had reached this point, with everyone else dead then they would pull out a dues-ex-machina that would save the day.
Not today. This is no dream or holigram Jean-Luc Piccard.
The entire crew dies in my cut and the show is cancelled, ruining the lifes of the cast and production team.
Life is like a Hurricane....
Saturday, 14 February 2009
"..Because Things That Are Not Can't Be!"
Friday, 13 February 2009
Jean Claude....
Last Words
Tuesday, 27 January 2009
Monday, 19 January 2009
Directors Cut
Not many people have seen the alternate cut to the film Shawshank Redemption. Frank Darabont, the director behind the films ‘Wingaling Prayer’ and ‘Dumpster’, had wanted ‘Shawshank’ to be an exploration on the toils that age and confinement can inflict upon the human body. Unfortunately Paramount, who funded the film, had other ideas and forced Darabont to make severe changes to his vision. Both Tim Robbins and Morgan Freeman made appeals to the executive producers, but their minds were set.
The Directors cut is almost entirely the same as the original, except for one key scene that was drastically cut from the cinematic release. The film starts with Andy Doofrane arriving at Shawshank penitentiary thinking about the court case that convicted him, as in the original. We are shown him getting used to prison, being buggered and making friends with Morgan Freeman’s character, ‘Red’, as with the theatrical realise.
Then comes the scene where Brooks, the sweet elderly librarian gets parole. We are treated to the same sombre letter, narrated by Jamie Whitmore, as we see Brooks adjusting to life outside the prison walls. Then comes the bittersweet moment where we see him carve his name onto a beam in his bed room. A mid shot of his feet resting on a stool, then a step and Brooks feet swing, as he hangs him self.
This is where the director’s cut differs to the public release. The shot of his swinging feet last for five minuets, an uncomfortable length forcing the viewer to contemplate the death of Brooks. Then nature takes over, as the dying mans bowls collapse. A high pitch parp; hesitant at first but then growing in strength. A brief pause and then WOOOSH
A jet of shit shots down into the shot and brooks legs start to swing erratically. Heart wrenching music, as written by Thomas Oldman, starts as the camera slowly pulls back revealing the entire cadaver of poor Brooks being propelled around the room by a geyser of poo, the noose still around his neck. This shot lasts for half an hour.
Then the jet starts to splutter and subsides. Another silent five minuets pass.
Then SPLURUCHH
The fountain starts again but a hundred times stronger. Brook’s body is smashed into the walls and ceiling like a possessed piñata. The music’s starts again, louder and more heartfelt. Morgan Freeman then bursts into the room screaming “FRESH FISH! FRESH FISH!”. He dances the room screaming manically, wildly gesticulating a fishing rod mime.
Then, from being repeatedly smashed against the walls and ceiling, Brooks comes back to life. His confused face contorted with confusion, pain and excrement. With his bowls still rupturing he joins Morgan Freeman and starts to yell “FRESH FISH!” still violently swinging around the room. This scene lasts an hour. Brooks slowly dies and Morgan Freeman gets knocked unconscious by brooks flailing legs. Darabont again gives us another five minuets silence to contemplate the frailty of life.
Then KABOOOM!
Brooks bowls explode